Tuesday, January 13, 2015
“They have little pieces of bread!” when I told him there was nothing to eat.
“You can watch movies on the wall!” when we said there was nothing to do.
There was no answer at all to the idea that I would not be there.
It’s true. Most of what we do at home is keeping our lives together. We rarely break from business. I used to think my dad worked too much. But I certainly did not want to stay at church. Major insult.
I work in a world where reading is boring, paying attention is boring, real life is boring.
Truth in advertising: I fell asleep in my first workshop of the day on Monday. I don’t know how to live without deathbed repentance in one more episode procrastination. I’ve gotta check my phone, just one second. Oooo. Is that a cookie? Let me eat it in place of entertainment while I sit here.
At school I think of myself as a paid entertainer. I do my song and dance (sometimes literally), I guilt trip, I joke, I kid, I tease, I talk faster and louder in case confusion is an antidote to boredom.
And I become an overdramatized version of myself: The teacher who groans loudly and full-bodied when the student claims this poem sucks, the whiny and long lecturer of the value of work when complaints stack up about upcoming due dates, the one who adores and cheers the overwrought analysis of character faults over time, stopping and recreating each turning point.
It’s not that I’m lying about what I believe: that interesting yourself is more important than being entertained, and there are a lot of reasons to interest yourself beyond just pure pleasure
But, I do find that teaching is a little like acting on a stage. Everything, from your look to your voice, when you overdo it, it’s just enough. I think that's true in parenting as well. Maybe it's just how you have to deal with the in-the-now dramatic little people I have around me all the time.
Somehow, if I am the crazy, demanding, always version of myself, they’ll catch a sliver of the urgency in my character’s voice, and find that they are caught up in it. Too.
Thursday, January 8, 2015
Monday, December 22, 2014
I am an e-hoarder.
Collecting indicates a bit of curation, a special trip to all 50 states for silver spoons with destinations engraved on their faces, some display of order, possible viewing cabinets.
Hoarding is everything collecting is not. It’s the collections that you’ve forgotten and simultaneously add to. There’s no art or order. If you were to get it all out you’d be shocked by it. Others would be shocked. They’d want to bulldoze your house just so they don’t have to deal with it all. It’s messy unquantifiable and reeks of indulgence--the kind that holds you up to scrutiny. Organizing and rummaging through would require people with latex gloves. Shovels.
I’m stuffing words in the crevices of my living e-space. I’ve got 847 pieces of last year’s subscriber mail, never opened. I have unique passwords to 9 separate email in-boxes. I’ve got summer homes in text that I never scrap and rebuild. Once I peered into the deep well of my 4th laptop; I couldn’t see the bottom. Then there are the curated words of my daily life, the posts of limited and unlimited character counts.
Deciding what to release and what to hold back is the difficulty. Now this is part of the world and we’re all living together, with no paper contracts to prove commitment.
When I stand back and hold the words out to view, I’m overwhelmed. The hoarding is brimming in my brain. When others see what I’ve let slip out of my control--
Do they wonder what I’ve lost and what I’m afraid to lose that makes me hold on?
I left a box of love letters at a friend’s house when I went to college. The boy who had written them scripted sincere, romantic prose with the awkwardness of first loves. I saw him turn completely to us, and he felt fragile in my grip.
I was sent a handwritten contract of long-distance friendship from a guy who wrote the most beautifully haphazard, meaningful nonsense. I lost it in the nomadic semesters of college life. One clause of the contract was that we will do whatever we have to to see each other if in close vicinity, which has resulted in steady streams of past midnight conversation in 4 different states and Japan.
A keeper found my entire writing portfolio in a zip disk, left in a library computer. I was the loser. It’s a lay theft that I wish I could undo. I’ve retraced those steps a thousand times in my memory.
My last high school boyfriend printed out every email that we wrote to each other, some of them unfit for polite company, and I wish I could burn their digital and concrete lives, now that they are repossessed and no longer my own.
The poems I’ve written in sleep and groggily put together while staring into the dark, trying to cement metaphors I’d cut from soft bits of dreams--I know they were real-- but a second sleep left them to future deja vu.
I have a stream of living dialogue I’d be loathe to lose. I consider it to be closest to consciousness that I could possibly get, and it unlocks a bit of my shared brain. Everything loops back to the way I communicate. My words there are as connected to reality as parallel lines. That is the writing that is solely mine. A secret stash. A daily milk delivery. A personal laugh track.
I live in the written--lasting, elusive, catching. It’s abstractions that only matter to me and concrete that explains me. I gather them up where they won’t be seen again, backed up by vault storage I pay yearly fees to keep. So I pile them up even if there is nowhere left to stack.
How do I know what I think if I haven’t written it yet? How will I know what I thought if I don’t hold on to it?
Sunday, December 21, 2014
I didn’t buy into the elf on the shelf stock. I should have. From what I’ve heard it’s pretty tight parenting stuff. Building memories, magic, and tradition, and teaching kids to follow the rules all in one setup. I can barely get myself to the post office before they close. Starting traditions that require contracts is beyond my level of dedication to anything that isn’t treading water.
I can definitely thread successful kids who come through my classes to families with very stable homes with one parent dedicated to the kids’ lives. It has a history of evidence I can’t deny.
And then, contrary to the norm, the kids who have some of the most unusual family situations I’ve encountered and hang out in my room every day are funny, sharp, fascinating, and insightful. They have a lot of drama, and plenty of challenges, but I really just love all of their hard edges.
So what does that mean? How do you raise a good kid? I’ve got nothing sure here. Mine kinda get the short end of the stick between everything we have to do. We’re working, handing off, packing the kids with us on our journeys, rather than the other way around.
And if you heard Amaya saying yesterday that I ruin everything, well, I won’t disagree that some of that’s parenting and some of that’s mistake making. I guess figuring out the difference will mean I’ve arrived.
For what it’s worth:
I have two kids who look in pictures like they’re getting the kind of parenting I wish I was giving. I’ll take it. At least until I figure out what I’m doing. And I guess for now we’re doing ok.
(Plus they do have magical powers. Like waking up before light almost every day.)
Wednesday, December 10, 2014
Sometimes I imagine now, as “used to have been”, to
decide what I would miss most
I am currently reminiscing the buzz of carpenter bees
that seem to impossibly vibrate space
around lilikoi vines that choke
our rusted fence (the voice of its hinges like my children’s).
The dialogue of razor scooters and skateboard wheels in the street
and trucks that run on diesel songs,
--the ocean’s textured tongue pressing in the background--
All of it staying with us, a daily conversation in our living room.
I think, wouldn’t I miss this
mumbly breeze through our louvres that only close
when we’re gone
these silent panes of glass, shut, between outside and in
then (the future and past the same distance from me, here) and now
Would be final.